Emily Gann, PhD
Director, Curatorial Division
Biography
Emily Gann (she/her) is the director of the curatorial division at Ingenium. She leads Ingenium’s Research Institute which engages communities, students, researchers, and scholars with Ingenium’s unique knowledge, collections, and ongoing research efforts. Through this work, Emily is committed to ensuring that Ingenium’s national collection is accessible. She teaches at both Carleton University and Bishop’s University, and oversees Ingenium’s fellowship and internship programs. She developed the gender, science, and technology fellowship with the University of Ottawa, and the queer histories of industrial labour fellowship with Concordia University.
Emily works with the transportation collection, which includes technologies of land and marine transport and mobility. Her research in this collection area is focused on access, with express attention to the ways that people have engaged with, understood, and shaped these technologies. Notably, she brings a critical feminist lens to this work in order to reconsider how access, gender, and design have influenced and been impacted by transportation technologies and networks. She recently completed her dissertation at the University of Ottawa in Feminist and Gender Studies. This work, entitled Users, Gender, and Access: The History of Public Transportation in Ottawa from 1891 to 2011, engages with the material culture of mobility in order to examine the reciprocal relationship between users and technology. Emily has curated permanent, temporary, and travelling exhibitions, including Technology in Our Lives, Moving Stories, and Iron Willed: Women in STEM. She has also supervised a number of digital storytelling projects, including: Locomotives and rolling stock at the Ingenium Centre, and Artifacts soundscape tour.

Areas of expertise
- Public transportation
- Railway technologies and networks
- Automobile history in Canada
- Gender and technology
- Technology, built environment, and access
Publications
Whose Artifacts? Whose Stories? Public History and Representation of Women at the Canada Science and Technology Museum
Appears in Historica Critica 68, no. 68 (2018): 47–66.
By Anna Adamek, and Emily Gann.
Ironing out the Wrinkles: Technological and Aesthetic Change in Domestic Irons, 1880-1920
Appears in Scientia Canadensis, 36, no. 1 (2015): 63-78.
Research projects

Curating under quarantine
Curating under quarantine is a curatorial initiative that seeks to respond to the COVID-19 pandemic in ‘real time’.